In June 2025, Simona Prives returned to Gate 44 to continue her work with photopolymer plates. She focused on printing both single and diptych matrices onto two types of Hahnemühle paper as well as on Japanese paper. She explored diverse inking techniques, particularly à la poupée, applying various colors to the three plates. Prives also experimented with chine collé, further enriching the textural and visual qualities of her prints. This visit marked a continued deep dive into the expressive possibilities of printmaking, pushing the boundaries of her visual language.